Catherine Alexander
Stories for the unseen. Voices for the unheard.
Some writers invent characters. Catherine listens to them. Her work invites readers into lives often overlooked and asks them to remain long enough to understand.
Her fiction centers on quiet histories lived by war veterans, survivors, outsiders, and those rebuilding life after fracture.Through compassion and careful research, she transforms lived experience into literature that refuses to turn away.
Pushcart Prize & Best of the Net nominee
Author of Dogs Don’t Cook and From the Margins
Her Work
Catherine Alexander is an acclaimed author known for her unique voice and powerful storytelling. Her novel Dogs Don’t Cook and short-story collection From the Margins have earned critical praise, including the Literary Titan Gold and Silver Awards. With nominations for the Pushcart Prize and Best of the Net, Catherine's work has appeared in over fifty prestigious literary journals.
Fiction rooted in human resilience
Catherine’s books explore recovery, belonging, and survival after rupture. Her characters do not seek heroism, they seek dignity.
FROM THE MARGINS (2023)
Stories of those living on the edge
A masterful collection of short stories that highlight the lives of people living on the edges of society. From the Margins brings attention to those facing personal and societal challenges, offering a glimpse into the strength of the human spirit. This collection has earned the Literary Titan Gold Award and continues to captivate readers who appreciate insightful and empathetic storytelling.
DOGS DON’T COOK (2021)
A novel about art, friendship, and survival after war
A heartfelt novel about art, friendship, and survival. Set in the aftermath of the Vietnam War, Dogs Don’t Cook follows a young artist navigating life’s challenges while seeking redemption and understanding. This novel was a finalist for the Next Generation Indie Book Awards and continues to inspire readers with its powerful narrative.
About Catherine
A Life That Turned Toward Story
Catherine did not grow up expecting to become an author. She began by writing letters to her parents, filling them with embellished stories because imagination made life feel larger. Writing was instinctive long before it was intentional.
Years later, after leaving a twenty year marriage, she enrolled in creative writing courses at the University of Washington. What began as exploration quickly became recognition. Her instructors encouraged her to publish, and in 1996 her first short story appeared in print.
Since then, more than fifty of her stories have appeared in literary journals including North Atlantic Review, Rosebud, Bryant Literary Review, and Rockhurst Review. One story was read on NPR by Paul Auster. Another was performed on stage by Jorja Fox.
Her writing grew from conversation and trust. Vietnam veterans welcomed her into their memories. Survivors shared experiences rarely spoken aloud. She listened first and wrote later.
Today she lives in Bellevue, Washington where she teaches fiction and memoir, helping writers discover their own voice and emotional truth. She leads private classes and workshops built around honesty on the page rather than performance.
She is currently working on a third book and a novelette.
The University of Washington, where Catherine worked and studied
What Makes Her Writing Unique
Witness Literature
Catherine’s stories begin with listening.
She spends time with the people whose experiences shape her fiction, allowing memory, voice, and lived detail to guide the narrative. Because of this, her characters are never symbols of struggle. They remain whole, complex individuals whose dignity stays intact on the page.
Her narratives rarely rely on dramatic events. The turning points are often small and interior. A gesture of trust. A moment of restraint. A recognition that understanding arrives slowly. Readers are invited to stay present rather than search for resolution. It stands beside its characters and invites the reader to do the same.
Readers often describe finishing her work with a quiet awareness that the world feels more populated than before.
The Personal Space Behind the Work
Her writing life is quiet and steady. Mornings begin with reading. Afternoons belong to revision. Evenings often end at the piano.
Nearby are Tyson, a Chihuahua who greets everyone as a friend, and Ruby Tuesday, his new sister who is three-legged and three pounds. Their companionship shapes the rhythm of her days and often the emotional tone of her stories.
Catherine believes stories grow where attention lives. Listening is her first discipline. Writing is the second.
Contact Catherine
Catherine welcomes messages from readers, writers, book clubs, and literary organizations.
Questions about the books, workshops, or speaking invitations are always welcome.
Email: catalexander@yahoo.com
Every letter is read with care.
Every reader becomes part of the conversation.